Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibil...(展开全部)

From the Back Cover The present book is a collection of essays exploring some classical dimensions of mind both from the perspective of an empirically-informed philosophy and from the point of view of a philosophically-informed psychology. In the last three decades, the level of interaction between philosophy and psychology has increased dramatically. As a contribution to this ...(展开全部)

What does history look like? How do you draw time? Cartographies of Time is the first history of the timeline, written engagingly and with incredible visuals. The authors, both accomplished writers and historians, sketch the shifting field of graphic representations of history from the beginning of the print age through the present. They shed light on western views of history a...(展开全部)

丹尼尔·罗森伯格，俄勒冈大学历史系教授，专注于研究数据的历史，主持美国国家人文科学基金会资助的历史图形学互联网项目“时间在线”，撰述题材兼涉历史、知识论、语言与视觉文化，与苏珊·哈丁合著《未来的历史》。 安东尼·格拉夫顿，普林斯顿大学亨利·普特南讲席教授，美国哲学学会会员， 英国科学院院士，曾担任美国历史学会主席，已出版《文本的捍卫者》《脚注趣史》《拿出你的存货：人文史料钩沉》等十余部著作。 杨凌峰，翻译学硕士，任职于广州某高校，译有《时间图谱》《审丑》《艺术通史》《501位艺术大师》《如何让艺术懂你》《丑闻艺术博物馆》《世界当代艺术》《有生之年一定要看的101部邪典电影》《阿尔伯特·卡恩的理想国》《埃及四千年》《埃及纪行》《出轨》《栗树街 》等。译事探讨：[email protected]

What does history look like? How do you draw time? Cartographies of Time is the first history of the timeline, written engagingly and with incredible visuals. The authors, both accomplished writers and historians, sketch the shifting field of graphic representations of history from the beginning of the print age through the present. They shed light on western views of history a...(展开全部)

丹尼尔·罗森伯格，俄勒冈大学历史系教授，专注于研究数据的历史，主持美国国家人文科学基金会资助的历史图形学互联网项目“时间在线”，撰述题材兼涉历史、知识论、语言与视觉文化，与苏珊·哈丁合著《未来的历史》。 安东尼·格拉夫顿，普林斯顿大学亨利·普特南讲席教授，美国哲学学会会员， 英国科学院院士，曾担任美国历史学会主席，已出版《文本的捍卫者》《脚注趣史》《拿出你的存货：人文史料钩沉》等十余部著作。 杨凌峰，翻译学硕士，任职于广州某高校，译有《时间图谱》《审丑》《艺术通史》《501位艺术大师》《如何让艺术懂你》《丑闻艺术博物馆》《世界当代艺术》《有生之年一定要看的101部邪典电影》《阿尔伯特·卡恩的理想国》《埃及四千年》《埃及纪行》《出轨》《栗树街 》等。译事探讨：[email protected]

The Joker is back, and he has transformed into something more deadly and insidious than ever before. Targeting those closest to Batman, The Clown Prince of Crime will unleash his most unpredictable, vicious, and psychotic assault on the Dark Knight ever! One year ago, the Joker limped off the streets of Gotham, mutilated and scarred when someone had taken the pale white skin ri...(展开全部)

Architectural form reconsidered in light of a unitary conception of architecture and the city.

The Joker is back, and he has transformed into something more deadly and insidious than ever before. Targeting those closest to Batman, The Clown Prince of Crime will unleash his most unpredictable, vicious, and psychotic assault on the Dark Knight ever! One year ago, the Joker limped off the streets of Gotham, mutilated and scarred when someone had taken the pale white skin ri...(展开全部)